One thing I want to mention before the interview.
Eimear Noone is a wonderful person! I got in touch with her the first month I
started the site and it wasn’t much at all! She told me “I’ll help in any way I
can” and we have come a long way since then. Thanks for believing in me Mrs.
Noone!
BBM: You worked on the 25th
anniversary album for Zelda how did you get the opportunity?
I've recorded quite a lot of video game score -
especially for Blizzard Entertainment - so had the background the production
was looking for. My husband composer, Craig Stuart Garfinkle and I are
co-producers of a show called "This Is Ireland" and when the Zelda
team got in touch I invited them to come and see the show. They invited
me to be a part of the team that night.
BBM: Hearing you talk about it on stage in Austin
really made me feel you had a special place in your heart for Zelda. Who came
up with the concept of Symphony of the Goddesses? I loved the name I felt it
was very appropriate. Do you know who named it?
Yes, I love the name too! The three Goddesses
echo Irish mythology too. I wear three black studs in my right ear in honor
of the goddesses. You'll have to ask the guys who came up with the name
but it was probably composer/arranger Chad Seiter or producer Jeron Moore.
BBM: Did you have
creative influence on the arrangement?
The arrangements were almost finished when I came
on board and the only influence I had was some technical points in the score
pertaining to performance as it relates to the orchestra and I.
BBM: The Symphony of
the Goddesses was a beautiful experience for me and I never wanted it to end.
Did you have any personal favorites you performed?
Yes! I seem to change my mind all the time
though! I love Chad's symphony and the Twilight Princess movement is a
particular favorite although... there's a particularly difficult section for
the orchestra and I at the end of the Ocarina of Time movement that I
absolutely love because it's such a fantastic challenge. Also, the sheer
majesty of "Songs of the Hero" hits me a huge emotional wallop
on stage.
BBM: Do you have a
favorite game? As far as the music for the Zelda games?
Skyward Sword will always have a special place in my heart because we recorded
the 25th Anniversary CD that Nintendo put out with the collectors edition.
BBM: Any funny/weird
events ever occur while you’re performing on stage?
Oh God, so many... Throwing the baton into the orchestra at Comic Con and
almost taking out one of the first violinists! Looking up to cue the
principal bassoon of The Pittsburgh Symphony and bursting out laughing on the
podium mid-concert; he had a solo marked on the score as "drunken
solo" and when I looked up at him he had his glasses on sideways and made
the bassoon sound like it was slurring its way through maudlin ballads at 2am
on a Saturday night in Dublin.
BBM: Could you tell me
a little bit about your work with World of Warcraft/ Star Craft? How where you
contacted to work on these major games?
It's two completely different long stories that would take up way too much type
but suffice it to say that with Blizzard I also get the privilege of working on
a cutting-edge creative team of people I love dearly.
BBM: Will you be
working with Blizzard anytime soon?
Yes, but that's all I
can tell you ;)
BBM: Could you please
give our readers the story of Mountjoy Prison performance?
That was actually an
open rehearsal we held at Dublin's famous maximum security prison, Mountjoy.
I was being heckled by a prisoner in the audience and was rather irate as
he was disturbing the rehearsal; our concert was the following day.
Instead of trying to out-shout him I walked right up to him, stick
pointed firmly in his direction then turned the stick around in my hand and
gave it to him. He waved it about for a bit in a mocking sort of way
until I pointed to the podium at which point he suddenly got VERY quiet.
After being egged on by the other prisoners he got up on the podium and
conducted the Mozart Marriage of Figaro Overture to explosive applause.
After the piece ended he turned to me and whispered a very humble 'thank
you very much'; It was one of the more memorable moments of my
career.
BBM: I read on your
site you where Irelands youngest professional female conductor. Where there a
lot of challenges you had to overcome? Also what kept you so motivated?
Wow, this is such a great question! I'm actually the only Irish female
professional orchestral conductor at the moment (sheesh! What a long-winded
title!). You're right in assuming that I met some unique challenges as a
female conductor and one of the things I love about Zelda fans is that most of
them don't even consider the fact that there's a woman on the podium important
at all! This is exactly where we want to go in the world, to a place
where gender doesn't even enter into people's thoughts in a situation where it
really isn't relevant.
BBM: What first inspired you to conduct?
I can't remember a time when I didn't know I was going to be a conductor and
composer. My mother really inspires me and we grew up without any
intellectual/emotional barriers to our crazy ambitions. Also my Dad was a
great dreamer of dreams...
BBM: Who are your inspirations? My inspirations change at different stages of my life but at the moment I'm completely inspired by Irish boxer and Olympic Gold Medalist, Katy Taylor! Her story is inspirational and she managed, during the Olympics, to lift the spirits of the Irish people in dire recessionary times.
BBM: Who are your inspirations? My inspirations change at different stages of my life but at the moment I'm completely inspired by Irish boxer and Olympic Gold Medalist, Katy Taylor! Her story is inspirational and she managed, during the Olympics, to lift the spirits of the Irish people in dire recessionary times.
BBM: You have played
so many amazing events what is your fondest memory?
There are so many... Working with the Royal Philharmonic for the first time was
pretty cool and putting on my high heels in the conductors dressing room at
Kennedy Center whilst surrounded by black and white photos of the great
maestros.
BBM: What are you
working on in the future?
I'm going to be touring with Symphony of the Goddesses for quite some time and
making several more video game score recordings. I'm also in preliminary
production on a re-vamp of This is Ireland as a touring show.

BBM: The music you perform is beautiful do you ever get writers block and how do you get passed it? When I'm writing my own music I definitely get writers block from time to time. It helps to do something completely different, preferably mindless, that has nothing to do with music to let the brain relax.
BBM: What inspires you
when you’re creating music?
Absolutely everything... I once got a really interesting rhythm from a rickety
old bike with a broken spoke that someone was riding past me on the street.
BBM: Also what is your favorite musical instrument? Erm... it's really more about who's playing the instrument. I'm not a big fan of "experiencing" the Scottish bagpipes indoors - aside from that I like pretty much everything but have a bit of a soft spot for the bassoon and classical guitar.
BBM: Also what is your favorite musical instrument? Erm... it's really more about who's playing the instrument. I'm not a big fan of "experiencing" the Scottish bagpipes indoors - aside from that I like pretty much everything but have a bit of a soft spot for the bassoon and classical guitar.
BBM: Any Last words
anything you would like to add to this interview?
You
ask some pretty great questions Charles!
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